• Cronon, William, Mapping Capital, Nature’s Metropolis, New York, Norton 1991, pp. 263-269.
• Moody, Walter, Chicago Plan Commission, Wacker’s Manual of the Plan of Chicago, 1915.
• Pattison, James, ‘The Chicago Plan’ to make Chicago Beautiful, Fine Arts Journal, Vol 29, Chicago, 1913.
• United States Congress of the Confederation, Land Ordinance of 1785.
  Whiting, Sarah, Superblockism: Chicago’s Elastic Grid, Shaping the City, Routledge, NY, 2013, pp-70-86
• Olmsted, Frederick Law, Parks and City Planning, 1870.
  

• Haraway, Donna, The Companion Species Manifesto: Dogs People and Significant Otherness (excerpts), Prickly Paradigm Press, Chicago.
  
• Nicolas Bourriaud, Relational Aesthetics (excerpt), published in Whitechapel Documents, Participation, 160-171.
  
• Olmsted, Frederick Law, Classic Park Plan, 1868.
  

Spatial Practices

• deBord, Guy, Theory of the Derive, UbuWeb Papers, pp.1-6
  
• DeCerteau, Michel, The Practice of Everyday Life, Walking in the City and Spatial Stories, University of California Press, Berkeley,  1984, pp. 91-110, 115-130.
  
• Olmsted, Frederick Law, The Concept of the Park Way, 1868.

Historical Space

• Aurelli, Pier Vittorio, The Possibility of an Absolute Architecture, Instuaration Urbis, pp.85-139.
• Olmsted, Frederick Law, Parks in Europe and America, 1875.
  

Mental Ecologies

• Guattari, Felix, The Three Ecologies, The Athalone Press, London, 2000, pp.27-69.
  
• Gross, Elizabeth, Bodies-Cities, Sexuality and Space, Princeton Papers on Architecture, pp. 241-252.
  
• Olmsted, Frederick Law, The Psychological Effect of Scenery, 1868.

Notions of Nature

• Agamben, Giorgo, Umwelt and The Tick, The Open, Stanford University Press, Stanford, 2004, pp. 39-48.
  
• Descola, Phlilipe, Beyond Nature and Culture, Preface, The University of Chicago Press, Chicago, 2013, pp. xv-xx.
  
• Descola, Phlilipe, Conclusion, The Ecology of Others, Prickly Paradigm Press, Chicago, 2013, pp. 81-88.
  
• Wallace Stegner, “Wilderness Letter,” Marking the Sparrow’s Fall: The Making of the American West, ed. Page Stegner (New York, 1998), 112.
• Olmsted, Frederick Law, Pictorial Essay of Central Park, 1871.
  

Organization Space

• Easterling, Keller, Introduction, Extrastatecraft, Verso, London, 2014.
  
• Corner, James, Landscape Urbanism, The Landscape Imagination, Princeton Architectural Press, NY, pp.290-297.
  
• Pope, Albert, Urban Implosion, Ladders, Princeton Architectural Press, New York 1996, pp. 54-97.
  
• Waldheim, Charles, Landscape Urbanism Reader, Landscape as Urbanism, pp. 35-51
• Olmsted, Frederick Law, Landscape Themes for a Park in Chicago, 1871.
  

Political Space

• Foucault, Of Other Spaces, trans. French Journal of Architecture, March 1967.
  
• Brooks, Gwendolyn, “Two Dedications,” Blacks, Third World Press, 1994, pp. 442-443.
  
• Agamben, Georgo, What is an Apparatus?, Stanford University Press, Standford, 2009, pp. 1-24.
  
• Olmsted, Frederick Law, Policing of Urban Parks, 1873.
  

Extended Bibliography

Architectural Drawing

• Ackerman, James S. “The Conventions and Rhetoric of Architectural Drawing” in Conventions of Architectural Drawing: Representation and Misrepresentation. Harvard University Press, 2000, pp. 9-36.
• Baltrusaitis, Jurgis, Anamorphic Art, New York: Abrams, 1977.
• Booker, P.J. “Constructional Drawings: Sun-Dialling and Stone-Cutting”, “Ships and Forts: Water-lines and Figured Plans”, “Plans and Multi-view Drawings” in A History of Engineering Drawing. London: Chatto & Windus, 1963, pp. 37-78.
• Cache, Bernard “Geometries of Phantasma” in Fast-Wood: A Brouillon Project, Wien: SpringerVerlag, 2007, pp. 46-61.
• Carpo, Mario, The Alphabet and the Algorithm, Cambridge: MIT, 2011.
• Carpo, Mario “Alberti’s Media Lab” in Perspective, Projections & Design ed. By Mario Carpo & Frederique Lemerle, New York: Routledge, 2008, pp. 47-64.
• Carpo, Mario, Perspective, Projections & Design, New York, Routledge, 2008.
• Damish, Hubert, The Origin of Perspective MIT, 2000.
• Evans, Robin “Architectural Projection” in Architecture and Its Image, edited by Eve Blau and Edward Kaufman, Montreal: Canadian Centre for Architecture, 1989, pp. 134-139.
• Evans, Robin “The Developed Surface: An Enquiry into the Brief Life of an Eighteenth-Century Drawing Technique” in Translations from Drawing to Building and Other Essays. Architectural Association Publications, 1997, pp. 195-232.
• Evans, Robin, The Projective Cast. Cambridge: MIT Press, 1995, pp. 179-239.
• Evans, Robin. Translations from Drawing to Building and Other Essays. Architectural Association Publications, 1997, pp. 195-232.
• Frascari, Marco, Eleven Exercises in the Art of Architectural Drawing, Routledge, NY, 2011.
• Frascari, Marco, From Models to Drawings, Routeledge, 2007.
• Guillerme, Jacques & Helene Verin “The Archaeology of the Section” in Perspecta 25 (1989), pp. 226-257.
• Hildebrand, Adolf von “The Problem of Form in the Fine Arts” in Empathy, Form, & Space, Getty Research Institute, 1994, p. 228.
• Hood, George J. “Auxiliary Views” in Geometry of Engineering Drawing, New York: McGraw-Hill, 1958, pp. 26-49.
• Latour, Bruno “Visualization & Cognition: Drawing Things Together” from www.bruno.latour.fr
• Lefevre, Wolfgang “The Emergence of Combined Orthographic Projection” in Picturing Machines: 1400-1700, Cambridge: MIT Press, 2004, pp. 209-244.
• Lotz, Wolfgang. “The Rendering of the Interior” in Studies in Italian Renaissance Architecture, Cambridge: MIT Press, 1977, pp. 1-65.
• McNaughton, Phoebe, Perspective and Other Optical Illusions, Wooden Books, 2007.

Texts: Transformations

• Allen, Stanley “Constructing with Lines: On Projection” in Practice: architecture, technique and representation, G+B Arts, 2000, pp. 1-29.
• Bois, Yve-Alain, “Metamorphosis of Axonometry” in Daidalos (Sept. 1981): pp. 41-58
• Cohen, Preston Scott. “Stereotomic Permutations” in Contested Symmetries and Other Predicaments in Architecture, New York: Princeton Architectural Press, 2001 pp. 96-103.
• Crary, Jonathan “Modernity and the Problem of the Observer” in Techniques of the Observer, Cambridge: MIT Press, 1992, pp. 1-25.
• Deleuze, Gilles. “Frame and Shot, Framing and Cutting” in Cinema 1, trans. By Tomlinson & Habberjam, Minneapolis: University of Minnesota Press, 1986, pp. 12-28.
• Douard, John “E.J. Marey’s Visual Rhetoric and the Graphic Decomposition of the Body” in Studies in History and Philosophy of Science, June 1995, Vol. 26 No.2, pp. 175-204.
• Evans, Robin. “Drawn Stone” in The Projective Cast. Cambridge: MIT Press, 1995, pp. 179-239.
• Field, J.V. “Beyond the Ancients” in The Invention of Infinity, New York: Oxford University Press, 1997, pp. 178-206.
• Gill, Robert W. Basic Perspective, London: Thames and Hudson, 1974
• Kittler, Friedrich “Perspective and the Book” in Grey Room 5, Cambridge: MIT Press, 2001, pp. 39-54.
• Perez-Gomez, Architectural Representation and the Perspective Hinge, MIT, Cambridge, 2000.
• Panofsky, Erwin, Perspective as Symbolic Form. New York: Zone Books, 1997.
• Reichlin, Bruno. “Reflection- Interrelations Between Concept, Representation and Built Architecture.” Daidalos, 1983. pp. 60-73.
• Scolari, Massimo “Elements for a History of Axonometry” in AD: The School of Venice. London: AD Editions Ltd. 1985, pp. 73-78.
• Scolari, Massimo, Oblique Drawing, A History of Anti-Perspective, MIT, 2012.
• Uddin,M. Saleh “Introduction” in Axonometric and oblique drawing. a 3-D construction, rendering and design guide. , McGraw-Hill, 1997, pp. 2-19.

Texts: Other Visualization Systems

Texts: Other

• Allen, Stan, Mapping the Unmappable, On Notation, A1989.
• Aragon-Louis, Paris-Peasant, A Feeling for Nature at the Buttes-Chaumont.
• Aureli, Pier Vittorio, The Possibility of an Absolute Architecture, Instauratio Urbis.
• Avramescu, Catalin, A Country in Lines.
• Barr, Alfred, MoMA, Catalogue.
• Bateson, Gregory, Steps to an Ecology of the Mind.
• Baudelaire, Charles, The Painter of Modern Life.
• Benjamin, Walter, A Short History of Photography.
• Bennet and Burnham, 1909 Plan of Chicago.
• Bennet, Jane, Networks, What is an Assemblage?
• Bourriaud, Nicolas, Relational Aesthetics, Participation, Whitechapel Documents of Contemporary Art

• Branzi, Andrea, Ideology and the Theory of the Metropolis. 
• Branzi, Andrea, The Theoretical Metropolis. 
• Braun, Marta. Drawing Time, The Graphic Method.
• Braun Marta, Drawing Time, The Photographic Method.
• Burnham, Jack, Systems Aesthetics.
• Superflex, Superkilen Park Master Plan