Extended Bibliography

Architectural Drawing

• Ackerman, James S. “The Conventions and Rhetoric of Architectural Drawing” in Conventions of Architectural Drawing: Representation and Misrepresentation. Harvard University Press, 2000, pp. 9-36.
• Baltrusaitis, Jurgis, Anamorphic Art, New York: Abrams, 1977.
• Booker, P.J. “Constructional Drawings: Sun-Dialling and Stone-Cutting”, “Ships and Forts: Water-lines and Figured Plans”, “Plans and Multi-view Drawings” in A History of Engineering Drawing. London: Chatto & Windus, 1963, pp. 37-78.
• Cache, Bernard “Geometries of Phantasma” in Fast-Wood: A Brouillon Project, Wien: SpringerVerlag, 2007, pp. 46-61.
• Carpo, Mario, The Alphabet and the Algorithm, Cambridge: MIT, 2011.
• Carpo, Mario “Alberti’s Media Lab” in Perspective, Projections & Design ed. By Mario Carpo & Frederique Lemerle, New York: Routledge, 2008, pp. 47-64.
• Carpo, Mario, Perspective, Projections & Design, New York, Routledge, 2008.
• Damish, Hubert, The Origin of Perspective MIT, 2000.
• Evans, Robin “Architectural Projection” in Architecture and Its Image, edited by Eve Blau and Edward Kaufman, Montreal: Canadian Centre for Architecture, 1989, pp. 134-139.
• Evans, Robin “The Developed Surface: An Enquiry into the Brief Life of an Eighteenth-Century Drawing Technique” in Translations from Drawing to Building and Other Essays. Architectural Association Publications, 1997, pp. 195-232.
• Evans, Robin, The Projective Cast. Cambridge: MIT Press, 1995, pp. 179-239.
• Evans, Robin. Translations from Drawing to Building and Other Essays. Architectural Association Publications, 1997, pp. 195-232.
• Frascari, Marco, Eleven Exercises in the Art of Architectural Drawing, Routledge, NY, 2011.
• Frascari, Marco, From Models to Drawings, Routeledge, 2007.
• Guillerme, Jacques & Helene Verin “The Archaeology of the Section” in Perspecta 25 (1989), pp. 226-257.
• Hildebrand, Adolf von “The Problem of Form in the Fine Arts” in Empathy, Form, & Space, Getty Research Institute, 1994, p. 228.
• Hood, George J. “Auxiliary Views” in Geometry of Engineering Drawing, New York: McGraw-Hill, 1958, pp. 26-49.
• Latour, Bruno “Visualization & Cognition: Drawing Things Together” from www.bruno.latour.fr
• Lefevre, Wolfgang “The Emergence of Combined Orthographic Projection” in Picturing Machines: 1400-1700, Cambridge: MIT Press, 2004, pp. 209-244.
• Lotz, Wolfgang. “The Rendering of the Interior” in Studies in Italian Renaissance Architecture, Cambridge: MIT Press, 1977, pp. 1-65.
• McNaughton, Phoebe, Perspective and Other Optical Illusions, Wooden Books, 2007.

Texts: Transformations

• Allen, Stanley “Constructing with Lines: On Projection” in Practice: architecture, technique and representation, G+B Arts, 2000, pp. 1-29.
• Bois, Yve-Alain, “Metamorphosis of Axonometry” in Daidalos (Sept. 1981): pp. 41-58
• Cohen, Preston Scott. “Stereotomic Permutations” in Contested Symmetries and Other Predicaments in Architecture, New York: Princeton Architectural Press, 2001 pp. 96-103.
• Crary, Jonathan “Modernity and the Problem of the Observer” in Techniques of the Observer, Cambridge: MIT Press, 1992, pp. 1-25.
• Deleuze, Gilles. “Frame and Shot, Framing and Cutting” in Cinema 1, trans. By Tomlinson & Habberjam, Minneapolis: University of Minnesota Press, 1986, pp. 12-28.
• Douard, John “E.J. Marey’s Visual Rhetoric and the Graphic Decomposition of the Body” in Studies in History and Philosophy of Science, June 1995, Vol. 26 No.2, pp. 175-204.
• Evans, Robin. “Drawn Stone” in The Projective Cast. Cambridge: MIT Press, 1995, pp. 179-239.
• Field, J.V. “Beyond the Ancients” in The Invention of Infinity, New York: Oxford University Press, 1997, pp. 178-206.
• Gill, Robert W. Basic Perspective, London: Thames and Hudson, 1974
• Kittler, Friedrich “Perspective and the Book” in Grey Room 5, Cambridge: MIT Press, 2001, pp. 39-54.
• Perez-Gomez, Architectural Representation and the Perspective Hinge, MIT, Cambridge, 2000.
• Panofsky, Erwin, Perspective as Symbolic Form. New York: Zone Books, 1997.
• Reichlin, Bruno. “Reflection- Interrelations Between Concept, Representation and Built Architecture.” Daidalos, 1983. pp. 60-73.
• Scolari, Massimo “Elements for a History of Axonometry” in AD: The School of Venice. London: AD Editions Ltd. 1985, pp. 73-78.
• Scolari, Massimo, Oblique Drawing, A History of Anti-Perspective, MIT, 2012.
• Uddin,M. Saleh “Introduction” in Axonometric and oblique drawing. a 3-D construction, rendering and design guide. , McGraw-Hill, 1997, pp. 2-19.

Texts: Other Visualization Systems

Texts: Other

• Allen, Stan, Mapping the Unmappable, On Notation, A1989.
• Aragon-Louis, Paris-Peasant, A Feeling for Nature at the Buttes-Chaumont.
• Aureli, Pier Vittorio, The Possibility of an Absolute Architecture, Instauratio Urbis.
• Avramescu, Catalin, A Country in Lines.
• Barr, Alfred, MoMA, Catalogue.
• Bateson, Gregory, Steps to an Ecology of the Mind.
• Baudelaire, Charles, The Painter of Modern Life.
• Benjamin, Walter, A Short History of Photography.
• Bennet and Burnham, 1909 Plan of Chicago.
• Bennet, Jane, Networks, What is an Assemblage?
• Bourriaud, Nicolas, Relational Aesthetics, Participation, Whitechapel Documents of Contemporary Art

• Branzi, Andrea, Ideology and the Theory of the Metropolis. 
• Branzi, Andrea, The Theoretical Metropolis. 
• Braun, Marta. Drawing Time, The Graphic Method.
• Braun Marta, Drawing Time, The Photographic Method.
• Burnham, Jack, Systems Aesthetics.
• Superflex, Superkilen Park Master Plan